I have found on old trial episode of ‘Hollyoaks’ I did many years ago which I’m happy to share for format junkies to take a look at.
First, of course I have to read and assess the book itself, a chargeable service (contact me for details) if, once I’ve read the book, I think it would make a viable and exiting screenplay I charge a standard fee for turning a book into a feature screenplay (or Netflix style series).
This is the first in a series of post by clients who have used my script coverage service. This is a useful post written by screenwriter Adele Smaill… Take it away Adele…
On top of my work as the UK’s busiest script writer for hire and script consultant, did you know I was a director too? Well you do now…
My script reports include a detailed page-by–page read of your script (with notes and suggestions on how to improve your work) as well as detailed ‘business aspects’ advice, including: Where to send scripts in the UK – Advice on agents and how to approach them-
Actual war stories about the reality of being a working scriptwriter in the UK
I’m the go – to scriptwriter for hire for creative corporate videos. I can deliver comedy and drama to even the most basic internal video.
Now, one of my major bugbears and a very common error by scriptwriters learning their craft is not understanding the difference between a shooting script and a regular sample (or spec) script.
Hey, as a UK script consultant and BAFTA shortlisted script writer for hire I get a surprising amount of emails from people with no industry experience who have decide that their idea, script or life story would make a great series on Netflix and that all they need to do is find a way of getting that idea, script or life story in front of the bigwigs at Netflix (or Amazon or the BBC). So, that they can agree what a fab story it is, while they hand over bundles of cash to get it made.