I was really chuffed to be invited on the Light on Leeds podcast recently. Where I was asked to talk about my career, how it started with the Lloyds Bank Channel Four Film Challenge back in the 90s
First, of course I have to read and assess the book itself, a chargeable service (contact me for details) if, once I’ve read the book, I think it would make a viable and exiting screenplay I charge a standard fee for turning a book into a feature screenplay (or Netflix style series).
If you’re taking a script reading course to ‘make money’ or ‘earn a living as a script reader’ you might as well buy a few scratch cards instead
This is the second in a series of post by clients who have used my script coverage service. This is an insightful look at the process by writer Martin McLoughlin. Take it away Martin…
This is the first in a series of post by clients who have used my script coverage service. This is a useful post written by screenwriter Adele Smaill… Take it away Adele…
On top of my work as the UK’s busiest script writer for hire and script consultant, did you know I was a director too? Well you do now…
MARGIN NOTES / SCRIPT EDIT is now available and it costs £199 (and is only currently available to writers who have already taken up my services via a script report.
Recently, a number of UK literary agents have started asking new scriptwriters for an industry introduction letter or a written introduction from someone in the industry. This is something that I have done in the past for clients who have used my UK script reading service
My script reports include a detailed page-by–page read of your script (with notes and suggestions on how to improve your work) as well as detailed ‘business aspects’ advice, including: Where to send scripts in the UK – Advice on agents and how to approach them-
Actual war stories about the reality of being a working scriptwriter in the UK
I wrote the episode where ‘Alfie’ told ‘Kat’ he loved her, for the first time in EastEnders (all the way back in June 2003).